“But it’s a total thrill, and feels like a definitive moment of New Star Wars eclipsing Old Star Wars to save the franchise’s worthy pieces.” “The episode has nothing to do with the show that surrounds it,” wrote Polygon critic Matt Patches. From its violently choreographed opening brawl to its apocalyptic, Terminator-influenced flashback to its sweeping aerial acrobatics through Tattoine’s Beggar’s Canyon, the episode was regarded as one of the best of The Book of Boba Fett’s first season. Then came Boba Fett’s “Return of the Mandalorian,” where Howard deftly captures the unspoken rage and loss of purpose within everyone’s favorite bounty hunter turned surrogate father. And so then I read the pilot, and when it got to Baby Yoda, I was just like, What am I reading?!” You can come in and I’ll show you all the artwork and stuff, and we can talk about it and you can see if you’d be interested. “And then he said, ‘I’ve written a series, and I’d love for you to take a look at it. “We got on the phone, and he talked through Star Wars and George, and what was incredibly meaningful about Star Wars and storytelling and sharing these really beautiful, inspiring sentiments,” recalls Howard. “I think my name got put on a list.” For whatever reason, in 2018, an email from Jon Favreau arrived in Howard’s inbox asking if he could talk to her about a project. This is the part where things get a little fuzzy for Howard. Swartz would eventually invite Howard to take part in a workshop for young filmmakers where they could write, develop ideas, and be given exposure to some of the breakthrough technology at Lucas’s visual effects company, Industrial Light & Magic. There, Howard was introduced to producer John Swartz, who was quickly making a name for himself working under Lucasfilm’s newly-minted president Kathleen Kennedy. Please, please, please can I shadow you on Solo?’” After getting approval from the powers that be, Howard was granted access. And I went to him and said, ‘Please, can I shadow you on Solo? I feel unbelievably lucky and privileged for all the access that I have had in my life, but I’m asking right now for more. We were shooting in Pinewood, which is the same location where my dad was. “I had just finished Jurassic World: Fallen Kingdom. His daughter, naturally, saw a once-in-a-lifetime opportunity. Ron Howard, who had acted for George Lucas in American Graffiti, directed Willow, and has said he was asked by Lucas to direct Episode I-The Phantom Menace, took over the job. The standalone Star Wars film was being helmed by directors Phil Lord and Christopher Miller-until the two left the project, citing “creative differences” about halfway through principal photography. Howard was also putting her lessons to practical use, writing and directing a number of short films.ĭespite all that, Howard’s goal wouldn’t become a reality until 2017, during the troubled production of Solo: A Star Wars Story. Without an audition, Shyamalan cast Howard as the lead in his 2004 film The Village.īut as she continued to appear in films by Lars von Trier, Kenneth Branagh, Sam Raimi, Clint Eastwood, and Colin Trevorrow, Howard never lost sight of her desire to direct-often choosing acting gigs as a means of gleaning techniques and the application of new technology. Her big break came in 2003 when she performed as Rosalind in Shakespeare’s As You Like It at New York’s Public Theater, catching the attention of director M. “I remember thinking, Oh, my gosh, this is kind of a coup,” she says. To her surprise, Howard started landing roles. “I love that, as an actor, when you feel the director behind the camera-when you can feel them be in that next moment, and you’re with them.” “When I’m directing-and a lot of directors are like this-it becomes a highly physical endeavor,” she says, laughing. She’s far too occupied watching a scene play out from her director’s chair on an episode of The Mandalorian. In it, Howard seems completely unaware she’s being photographed. It’s a forest like you’re in My Neighbor Totoro”), Howard studies the photo in question. “My dining room I call the Miyazaki dining room. Calling from a bedroom hallway that doubles as her home office, the walls behind her wallpapered with dinosaurs (“I have a mural of the twin suns of Tatooine painted on the side of my house,” she says. There is one very specific photo of Howard, however, that I can’t help but bring up when we sit down to talk over Zoom. Hundreds, if not thousands, of photographs exist of Bryce Dallas Howard: photos of her smiling on red carpets, of her being compared to her red-headed Hollywood doppelgänger and friend Jessica Chastain, or just candid looks into her work, her family, and the occasional throwback to her youth on social media.
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